![]() ![]() ![]() ![]() These themes include the Ukrainian folk song "Oi, kriache, kriache, ta y chornenkyi voron. Maes continues by mentioning that all the themes are tied together by a strong motivic link. ![]() After a short pause, a closing section, based on a variation of the consoling theme, closes the exposition in A♭ major. This is answered by a smoother and more consoling second theme, played by the strings and set in the subtonic key (A♭ major) over a pedal point, before a more turbulent reappearance of the woodwind theme, this time re-enforced by driving piano arpeggios, gradually builds to a stormy climax in C minor that ends in a perfect cadence on the piano. The second subject group consists of two alternating themes, the first of which features some of the melodic contours from the introduction. A short transitional passage is a call and response section on the tutti and the piano, alternating between high and low registers. The exposition proper then begins in the concerto's tonic minor key, with a Ukrainian folk theme based on a melody that Tchaikovsky heard performed by blind lirnyks at a market in Kamianka (near Kyiv). The introduction ends in a subdued manner. This subsidiary theme is heard three times, the last of which is preceded by a piano cadenza, and never appears again throughout the movement. The first movement starts with a short horn theme in B♭ minor, accompanied by orchestral chords which quickly modulate to the lyrical and passionate theme in D♭ major. ![]()
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